My Photo
Blog powered by TypePad
Member since 12/2004

TV Vicars and on-screen priests

Su notes in the post below that there are some good screen portrayals of priests, to relieve the awful TV-Vicar image. She suggests two films with robust priest depictions:

'The Godfather' trilogy      

Mystic River

Joyeux_noel_150

To these I would add Gary Lewis's

wonderful portrayal of Palmer,

the Chaplain in the trenches in Joyeux Noel (2005)

Bad on-screen vicars? There is vicar who is a spoof of the TV Vicar caricature in Emma Thompson's romp of a kids' movie, Nanny McPhee. My son has his impression of this simpering Vicar down to a tee - but then he also asks me why they put strange vicars, not "normal" ones, in stories like that (this the child who has grown up amid an assortment of pretty normal people who are also priests).

What are your favourite good and bad on-screen portrayals of priests, ministers etc?

au revoir, Madeleine L'Engle

I have wept a few tears today for someone I never met. Ever since I was a child, I have returned to Madeleine L'Engle's books over and over again. Lengle_md

A Wrinkle in Time was my first. I read Circle of Quiet for the third time this summer in France.

I learned from Ms L'Engle how to hold faith together with imagination, obedience and respect together with a healthy degree of rebellion, and that life is to  be lived right now, not as a down-payment for the hereafter.

“Why does anybody tell a story?” Ms. L’Engle once asked, even though she knew the answer.
“It does indeed have something to do with faith,” she said, “faith that the universe has meaning, that our little human lives are not irrelevant, that what we choose or say or do matters, matters cosmically.”

Rest in Peace, Madeleine. Thank you, thank you for all you have given to your readers. Obits in the NY Times. and Episocopal Life

Fauré Requiem

One of the things we do at Robinson, regularly but not often, is to take a classic piece of choral music that's usually heard as a concert piece, and "perform" it as a liturgy. I think we may have been unique in constructing a liturgy around the wonderful Stravinsky Symphony of Psalms. We did Karl Jenkins' The Armed Man about 3 years ago as a Eucharist for Remembrance. Not so unusual, but still a different experience from a concert, was to do Mozart's Requiem last year as a liturgy. This weekend, for Remembrance Day, we are doing the same with Fauré's Requiem. We aren't a professional choir - it's a choir of volunteers, run by two of our students. And 68% of our Choir is new this term, so they've only been singing together for 5 weeks. It's a brave move, but it was sounding nice in rehearsal, and we are looking forward to it.

Fauré said some stuff about his Requiem that may well chime with Emerging Church afficionados - he wanted to do something that was a funeral but not as we know it, church but not as we know it. His own faith and belief were an interesting mix of orthodoxy and complete maverick individualism. But then he was an artist, so that's pretty unsurprising. Creatives are often feared in the Church because they want to reshape things. Odd, perhaps, that displaying creativity - that most God-like of qualities - often sidelines artists within Church circles.  Anyway, here's what Fauré said about his Requiem:

"It has been said that my Requiem does not express the fear of death and someone has called it a lullaby of death. But it is thus that I see death: as a happy deliverance, an aspiration towards happiness above, rather than as a painful experience. The music of Gounod has been criticized for its overinclination towards human tenderness. But his nature predisposed him to feel this way: religious emotion took this form inside him. Is it not necessary to accept the artist's nature? As to my Requiem, perhaps I have also instinctively sought to escape from what is thought right and proper, after all the years of accompanying burial services on the organ! I know it all by heart. I wanted to write something different."

If you want to join us for our Choral Requiem for Remembrance, it's at Robinson College Chapel, Grange Road, Sunday 12th November. 6pm.

The Pepper Bible

A recent comment alerted me to this labour of love - a contemporary illustrated manuscript of the Bible in English. Working on the same basic principles as a medieval scribe, the artist has used contemporary imagery to illuminate the text - space travel and technology, as well as images from the natural world. It's well worth a look.

St John's Bible

you have to go and see this...